Bill Evans At The Montreux Jazz Festival Zip

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Montreux Switzerland
Bill Evans At The Montreux Jazz Festival Zipper

Bill Evans - Montreux II (1970/2013) [DSD64 + Hi-Res FLAC]

Discover releases, reviews, credits, songs, and more about Bill Evans - At The Montreux Jazz Festival at Discogs. Complete your Bill Evans collection. As the liner notes by Gene Lees reveal, Evans' performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. Download de mortal kombat 4 psx iso rip. Bill Evans at the Montreux Jazz Festival is a 1968 album by the American jazz pianist Bill Evans, recorded live at that year's Montreux Jazz Festival.The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.

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Bill Evans - Montreux II (1970/2013)
DSD64 (.dsf) 1 bit/2,8 MHz Time - 39:37 minutes 1,1 GB
FLAC (tracks) 24-bit/88,2 kHz Time - 39:37 minutes 837 MB

Montreux Switzerland

Studio Master, Official Digital Download Artwork: Front cover
'Montreux II' is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Montreux Jazz Festival in Switzerland in 1970 and released on the CTI label. The album was the second of Evan's Montreux concert recordings to be released following the Grammy Award-winning 'Bill Evans at the Montreux Jazz Festival' (1968).

Bill Evans' second recording at the Montreux Jazz Festival in 1970 was a highly anticipated concert, finding the pianist in peak form, accompanied by bassist Eddie Gómez and drummer Marty Morell. His originals include the rhapsodic 'Very Early,' the turbulent '34 Skidoo,' and an aggressive rendition of 'Peri's Scope.' His introspective take of Burt Bacharach's 'Alfie' is played at a leisurely tempo, while his take of Earl Zindars' 'How My Heart Sings' simmers slowly to a boil. His driving setting of Johnny Carisi's 'Israel' has an intense Eddie Gómez solo and a lively exchange with Morell as its centerpiece. While this is a terrific live performance, there are sound problems, including what sounds like bleeding of the stage monitors into the mix, and there are muddy spots in the recording as well, particularly during some of Gómez's solos. Master engineer Rudy Van Gelder tackled the remastering of this CTI LP, but there was only so much he could do with what was preserved on the original tape.

Tracklist:
01 - Introduction / Very Early
02 - Alfie
03 - 34 Skidoo
04 - How My Heart Sings
05 - Israel
06 - I Hear a Rhapsody
07 - Peri's Scope
Produced by Creed Taylor.
Recorded on June 19 & 20, 1970 at the Montreux Jazz Festival, Casino De Montreux, Switzerland.
Musicians:

Bill Evans At The Montreux Jazz Festival Zipper

Bill Evans - piano Live

Eddie Gómez - bass
Marty Morell - drums

Dynamic Range Report

Analyzed: Bill Evans / Montreux II
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -8.69 dB -25.14 dB 6:39 01-Introduction / Very Early
DR13 -8.90 dB -26.82 dB 5:29 02-Alfie
DR12 -8.92 dB -25.24 dB 6:39 03-34 Skidoo
DR12 -8.41 dB -24.58 dB 4:15 04-How My Heart Sings
DR13 -6.51 dB -23.68 dB 4:14 05-Israel
DR11 -8.03 dB -23.43 dB 5:53 06-I Hear a Rhapsody
DR12 -7.26 dB -23.31 dB 6:27 07-Peri's Scope
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 7
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64

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Review

This DVD sampling portions of the 1975 Monterey Jazz Festival has a lot to offer. Lots of veteran jazz artists in their prime are featured, along with the obligatory diversions into commercial blues, jazz-rock and contemporary jazz. Flugelhornist Clark Terry is a special guest with the Toshiko Akiyoshi-Lew Tabackin Big band in 'Hen-Pecked Old Man' (also featuring Tabackin on tenor sax), while Paul Desmond's lyrical, laid-back interpretation of the standard 'Emily' (the unseen pianist, who doesn't solo, is John Lewis, a rare opportunity to hear the alto saxophonist in concert with someone other than Dave Brubeck at the keyboard). Bill Evans is in prime form dueting with longtime bassist Eddie Gomez in a spry 'Up with the Lark,' although the track featuring Dizzy Gillespie is a bit odd. An improvisation is abruptly cut off and a funky blues featuring vibraphonist Cal Tjader as a guest completes the performance. Marian McPartland's touching rendition of her bittersweet ballad 'Afterglow' (later retitled 'In the Days of Our Love' after vocalist Peggy Lee contributed lyrics) is followed by a fun-filled eight-handed, two piano quartet performance of 'Billie's Bounce,' featuring Evans and Lewis with McPartland and young pianist Patrice Rushen. Lewis is joined by Hubert Laws, Mundell Lowe, Richard Davis, and violinist Sven Assmussen on the pianist's lively bop vehicle 'Lyons Head,' thoughAssmussen steals the show with his dissonant Stuff Smith-like solo. Unfortunately, tracks by Chuck Mangione, Blood, Sweat & Tears, Etta James, and Bobby 'Blue' Bland never reach the heights of the other performances. Evidently taped for public television, this show is plagued with annoying, overly long voice-overs that frequently intrude on the music, odd editing, and inconsistent camera work, though the rarity of the music makes it worth the investment, warts and all. ~ Ken Dryden